| Number: | 202309191443381651 |
|---|---|
| Model: | LUT11H |
| Size: | 10.1" |
| Introduction: |
Screen Size： 10.1" IPS
Resolution： 1920x1200 pixels Aspect ratio： 16:10 Brightness： 2000cd/m² |
| Input: | 2*HDMI 1*Tally |
| Output: | 1*HDMI, DC OUT 8V, Stereo Headphone |
| DM: | |
| Download: | |
FEELWORLD LUT11H is a 10.1-inch with full touch screen, ultra brightness 2000nit professional camera monitor. Supports up to 4K@60Hz HDMI signal input and output. Provides a series monitoring and framing tools with new menu layout, various numerical parameters are clear at a glance, making the operation easier. There is a F970 external install and power kit on the rear of LUT11H, which can install such as wireless transmission, LED light, etc. It combines the monitor with wireless transmission to get rid of unnecessary cables, which is perfect for director monitoring, 1st AC to focus pulling in the film crew. The dual battery plates design can install two F970 batteries at the same time for long-time power supply even outdoors. Ideal for crew field shooting, monitoring and post-production.
Viewing clearly and capture every detail with confidence
With extremely high resolution IPS panel, 16.7M(8bit) color gamut, provides excellent details,accurately reflect the original colors.
The monitor supports REC709、DCIP3、BT2020 multiple color gamut, presenting rich color, meet the different needs of photographers for color gamut.
Ideal for outdoor shooting
Backed by 2000nits of brightness, LUT11H isn't afraid to get a strong light. The screen visible clearly even outdoor shooting, no need to use sun-hood.
Built-in an ambient light sensor, from a dim studio to a sunny location, from midnight moonlight to noon sunshine, it can automatically adjust the monitor brightness to fit your filming environment.
Adopts new UI menu, take the software functions are iconized, it is more convenient and quickly to operate the function.
On the top of LUT11H comes with three custom shortcut buttons , the photographer can set the shortcut functions in advance according to the actual needs of the shooting site, and quickly call up the required functions during the shooting process, greatly improving the shooting efficiency.
The innovative touch screen LCD user interface provides incredible control. You can use simple tap and swipe gestures for the important monitoring functions without buttons. Plus, you can also operate via scroll wheel key.
Support to load 50 custom LUTs
The LUT loading function makes the color calibration easier and more intuitive, optimizes the workflow and improves the work efficiency in the early stage of shooting. You could use built-in LOG or upload .cube files. LUT11H allows you to load internally up to 50 custom LUTs, looks or profiles at any time via the SD Card Slot and instantly select between them, maintaining creative intent, always.
What you see is what you get
Supports HDR (high dynamic range) monitoring, for incredible clarity and detail, simplifies the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most–while shooting. When the HDR function is turned on, you can select Gamma and Gamut corresponding to the camera Sony, Canon, Panasonic, Fujifilm, Bolex, RED, ARRI.
Save your budget
Built-in waveform monitoring, you can choose from waveform (RGB Parade, YUV Parade, Y Parade), vector scope, histogram, audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope mode. LUT11H becomes the ideal choice for live production monitoring, so you no longer need to use a separate expensive scopes!
Dual HDMI signal inputs are easily matched with SLR camera and one output, support up to 4K@60Hz, which is transmitting without loss and the screen is more smooth and clear. And provides 3.5mm headphone jack to monitor audio.
Note: HDMI1 input default to loop-out from HDMI1 output, HDMI2 can’t loop-out
Simplify your photography equipment
A Sony F970 external install and power kit design is added to the back of the monitor. The external kit can be used to install and install the external equipment, like wireless transmission, LED light, video converter and others that can be powered by a Sony F970 battery. This innovative external power supply design meets the need to power for external wireless transmission, LED light and other equipment, greatly saving the space occupied by the equipment and reducing the weight of photography equipment.
The LUT11H is not only equipped with DC IN 12V (suit for use 12/3A adapter), but also provides auxiliary power out (DC OUT 8V) allowing shooters to power their cameras. With a battery adapter cable (Optional), the LUT11H extends camera run-time, while providing a more usable display.
Long-lasting power for outdoor shooting
The rear of monitor of LUT11H have dual battery plates, can install two standard NP-F batteries, long-lasting power for your screen. In addition, you can switch the battery quickly, just double tap the battery icon on the upper right corner of the monitor about 3 seconds to finish the switching, and don’t worry interrupting monitoring. Install one F970 battery (6600mah) last for about 2 hours, and install two F970 batteries last for about 3.5-4 hours. You can choose install 1 or 2 battery base on your need.
● Compatible Sony NP-F Battery: F970 F960 F950 F930 F770 F750 F730 F570 F550 F530 series (Note: the battery not including, please purchase separately. Higher capability (working time) will be longer)
Strengthen the cooperation between the cameraman and the director
There is a rear TALLY light with 3 colors （green, red, yellow）display, and controlled via DB-9 ports at the bottom of the monitor.
For the large-scale event, live performance and TV program, jib crane shooting is often used to capture footage from all angles. LUT11H is equipped with 10.1-inch ultra high brightness screen, wide viewing angle, and rich signal interfaces, it is an ideal choice for jib crane shooting whatever indoor or outdoor.
LUT11H built-in up to 9 languages, meet the different needed.
The monitor is equipped with 3 standard 1/4”mounting threads (bottom, right, left side), you can easily mount it on the camera or other types of equipment with a magic arm, bracket, etc.. Meet the different monitoring for photographer or director.
| * Support 3D LUT Log to Rec.709, user 3D LUT Upload (up to 50) |
| * Waveform (RGB, YUV, Y) |
| * HDR |
| * Vector |
| * Histogram (RGB,Y ) |
| * Embedded Audio |
| * Focus Assist(Yellow, Magenta, Cyan, Red, Green, Blue, White seven focus colors optional; 1~8 focus level adjustable) |
| * False Colors (Spectrum, ARRI) |
| * Zebra Exposure (0IRE～100IRE adjustable) |
| * Check Field (Red, Green, Blue, Mono) |
| * Scan Mode (Under Scan, Over Scan) |
| * Anamorphic Mode (1.25x, 1.33x, 1.5x, 2.0x, 2.0x mag) |
| * Mirror (Auto, Flip H, FlipV ) |
| * Image Freeze |
| * Center Marker |
| * Tally Indicator (Red, Green, Yellow) |
| * Safety Marker (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1:1, 1.91:1, 4:5, 9:16: 1.85:1, 2.35:1) |
| * Aspect Ratio (Auto, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1,user.Under the “user”, you can customize the Video Width and Video Height100% ~ 300%) |
| * Cinema Guides(16:9, 16:10, 4:3, 1.85:1, 2.35:1, 2.41:1, 1.91:1, 5:4, 1:1.9) |
| * Marker Color (Yellow, Magenta, Cyan, Red, Green, Blue, White) |
| * Crosshatch (3x3, 4x4, 5x3, 5x5, 6x4, 6x6) |
| * Zoom (1.0x～5.0x) |
| * Pixel to Pixel |
| * Display Setup (can be adjust the image Brightness, Saturation, Hue, Sharpness 0~100) |
| * Color Space ( REC709, DCIP3, BT2020) |
| * Color Temp. ( 5600K, 6500K, 9300K, User.Under the “user”, the red, green, and blue values of the image can be adjusted 0~255) |
| *Battery Power Display |
This essential feature assists with the calibration of professional video cameras. It shows the overall brightness of the image assisting the video professional in correcting exposure. The waveform feature also checks the evenness of the lighting when lighting a chromakey or background.
Vector scope shows how saturated the image is and where the pixels in the image land on the color spectrum. It can also be displayed in various sizes & positions, that allows users to monitor color gamut range in real time.
The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis and a stack of the number of pixels at each level of brightness along the vertical axis.
RGB histogram is a graphical display of the distribution of tones, shows the Red, Green and Blue channels histograms. Suitable for HD-SDI and HDMI signal monitoring.
Audio Meter Monitoring
The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring.
Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the peaking color between Yellow, Magenta, Cyan, Red, Green, Blue, White according to different tone of the subject. The focus level can be adjusted from 1 to 8 levels.
False Color
The False Color filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
Exposure (Zebras)
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. There is a 1%-100% zebra value that can be adjusted.
Check Field
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or gray pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (1.0x~5.0x%)
Image magnification is HD signal in any part, an amplification for high quality close-up. The touch panel can help you zoom in quickly, zoom out and move the image after zooming in.
Anamorphic Mode
Built-in selection of no squeeze, 1.25x, 1.33x, 1.5x, 2.0x, 2.0x mag allows you to use anamorphic lenses or adapters and see the image unsqueezed.
Image Flip
Image flip is to flip the image horizontally, vertically, and horizontally/vertically. Simultaneously turning on the horizontally flip and the vertical flip can achieve horizontal/vertical simultaneous flipping.
Nine Grid
Nin grid is the most common and basic composition method. The area of the picture can be choose divided into 9,16, 15,25,24,36 equal grids.
Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safety Marker
Safety Marker for View Finding and Composition (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1:1, 1.91:1.1, 4:5, 9:16: 1.85:1, 2.35:1). You can switch the Mark color between Yellow, Magenta, Cyan, Red, Green, Blue, White according to different tone of the subject.
Ratio Marker
There are a variety of ratio marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1, 2.41:1, 1.9:1, 5:4, 1:1.9); the transparency of the ratio marker has 4 display effects optional (0%, 25%, 50%, 75%). You can switch the marker colors between yellow, red, green, blue, white and black according to different tone of the subject.
| Model | LUT11H |
| Screen Size | 10.1" IPS |
| Resolution | 1920x1200 pixels |
| Pixel Pitch | 0.113(W) x 0.113(H) (mm) |
| Aspect Ratio | 16:10 |
| Brightness | 2000cd/m² |
| Contrast Ratio | 800:1 |
| Backlight | LED |
| Viewing Angle | 85°/85°(L/R) 85°/85°(U/D) |
| 2 X HDMI | HDMI |
| 1 X Tally | 9 Pin Connect |
| 1 X HDMI | HDMI |
| 1 X DC | Barrel (5.5mm outer, 2.1mm inner) barrel output for powering cameras via camera specific adaptor. |
| Audio | 3.5mm Stereo Headphone |
| 480i/576i/480p/576p |
| 1080i (60/59.94/50) |
| 720p (60/59.94/50/30/29.97/25/24/23.98) |
| 1080p (60/59.94/50/30/29.97/25/24/23.98) |
| 3840x2160p (60/50/30/29.97/25/24/23.98) |
| 4096×2160p (60/50/30/29.97/25/24/23.98) |
| Input Voltage | DC7～24V |
| Power Consumption | ≤26W |
| Working Temperature | -10°C~50°C |
| Storage Temperature | -20°C~60°C |
| Install Way | 1/4"-20 Thread Socket ( Left, Right, Bottom) |
| Unit Size | 242Lx156Hx23D(mm) |
| Unit Weight | 810g |
| Color Box Size | 265L*110W*212H(mm) |
| Outer Carton Qty | 10 |
| Outer Carton Size | 590*270*480 (mm) |
| Gross Weight | 17.43kgs |
| * Support 3D LUT Log to Rec.709, user 3D LUT Upload |
| * Support Touch Menu |
| * Parade (RGB, YUV, Y) |
| * All Waves |
| * Vector |
| * RGB Histogram |
| * Brightness Histogram |
| * Embedded Audio |
| * Peaking Focus (Yellow, Magenta, Cyan, Red, Green, Blue, White seven peaking colors optional; 1~8 peaking level adjustable) |
| * False Colors (Spectrum, ARRI) |
| * Zebra Exposure (1%~100% adjustable) |
| * Check Field (Red, Green, Blue, Gray) |
| * Scan Mode (Under Scan, Over Scan) |
| * Anamorphic Mode (1.25x, 1.33x, 1.5x, 1.6x, 1.8x, 2.0x, 2.0x mag) |
| * Image Flip (H, V, H/V) |
| * Image Freeze |
| * Center Marker |
| * Safety Marker (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1:1, 1.91:1.1, 4:5, 9:16: 1.85:1, 2.35:1) |
| * Ratio Marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1, 2.41:1, 1.9:1, 5:4, 1:1.9) |
| * Marker Color ( Yellow, Magenta, Cyan, Red, Green, Blue, White) |
| * Color Temperature Adjustment (5600K, 6500K, 9300K, user) |
| * Nine Grid |
| * Zoom (1.0x~5.0x) |
| * Aspect Ratio (Auto, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1, user) |
| * Pixel to Pixel |
1× Monitor
1× Mini HDMI Cable
1× Power Adapter
1× U-shape Bracket
1× Manual
