| Number: | 202206061008388947 |
|---|---|
| Model: | FW568 V3 |
| Size: | 6" IPS |
| Introduction: |
Screen Size： 6" IPS
Resolution： 1920x1080pixels Aspect ratio： 16:9 Brightness： 450cd/m² |
| Input: | HDMI, Type-C |
| Output: | HDMI, Stereo Headphone, DC OUT 8.4V, Barrel (5.5mm outer, 2.1mm inner; Power DSLR or mirrorless camera) |
| DM: | |
| Download: | |
The FW568 V3 is small, lightweight and has great image quality. The small size is extremely useful when filming in tight spaces and where weight is important such as with gimbals. The FW568 V3 is the perfect monitor for those who need an easy-to-use lightweight on-camera monitor such as gimbal operators, or shooters that are always on the go.
The menu controls are intuitive and easy to use. At the top of the monitor, there are three custom function buttons that you can set as common functions; press “v” directly to decrease the volume or backlight; press “^” directly to increase the volume or backlight. The monitor will automatically save the parameters you have previously set, and keepthe original settings when you turn it on next time. It does not need to bereset, which is convenient and simple.
High resolution, brighter full of colors
The FW568 V3 provides a sharp image, ideal for focus pulling and image analysis on set and in the field. With native 1920x1080 high resolution and 16:9 display, 450cd/m2 brightness, 1000:1 contrast ratio, delivers excellent detail, so you can enjoy sharper and richer colors image, full-screen display uniform, no difference, no trailing. Its size, weight and resolution make it an attractive option for DSLR shooters looking to attach it straight to the camera.
IPS monitor, gives you a large visual view to enjoy, offers consistent image clarity and colors from 160-degree viewing angle vertically and horizontally. And he wide viewing angle makes it easy for multiple crew members to watch at the same time.
The FW568 V3 has 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. It's the ability to display live picture on multiple displays at once while still maintaining the original video quality.
Connect to Wireless Transmitter
Transmission to film crew director monitoring at the same time. Without the cable more flexible to transition between scenes effortlessly for outdoor shooting.
Display live picture on multiple displays simultaneously.
At the concert, live broadcast, conference, you can connect to project display real-time images.
Real-time power charge for cameras
A DC output port enables you to power your camera directly from an NP-F L-series or LP-E6 battery mounted on the monitor, increasing runtimes over the standard batteries of many DSLR or mirrorless cameras. In addition, you can monitor audio using the 3.5mm stereo headphone jack.
In addition to the DC 12V power input (can be using 12V/1.5A adapter), FW568 V3 also has a compatible F970/LP-E6 dual-purpose battery plate, and supports 5V Type-C input which can be powered by mobile phone chargers or power banks (at least 5V/2A) .
Use Rec.709 color standard
FEELWORLD uses the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory, it can achieve monitor calibration efficiently and get accurate color reproduction easily, do not distort the color, show the real image when you shooting video.
FEELWORLD monitor support ITU standards and HD video Rec.709 standard consistent color space, advanced image processing technology, so that the image clearly presented, the color is extremely natural, to ensure accurate color reproduction, to reproduce the physical nature of shooting, enabling users to accurately evaluate the quality of various input video signals.
The FW568 V3 is sure to add instant production value for mirrorless and DSLR shooters. Its bright display, professional software tools, and convenient mounting is invaluable for shooters looking to do more with less gear. The monitor includes a plethora of useful features such as histogram, false color, focus assist, embedded audio, pixel to pixel, frame guides, nine grid etc.
Support to load 32 custom LUTs
The LUT loading function makes the color calibration easier and more intuitive, optimizes the workflow and improves the work efficiency in the early stage of shooting. You could use 4 built-in LOG to Rec.709 video or upload .cube files ( A single file must not exceed 7.9M, supports files with LUT_3D_SIZE of 16, 17, 32, 33, 64, 65). FW568 V3 allows you to load internally up to custom LUTs (Up to 32 user files can be imported), looks or profiles at any time via the TYPE-C to USB connector . Slot and instantly select between them, maintaining creative intent, always.
Save your budget
When you need to analyze image quality more accurately than simply looking at the picture then use FW568 V3's built in waveform monitoring! Choose from waveform (RGB Parade, YUV Parade, Y Parade), vectorscope, histogram, audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope mode. FW568 V3 becomes the ideal choice for live production monitoring, so you no longer need to use a separate expensive scopes!
What you see is what you get
When HDR is activated, the display reproduces a greater dynamic range of luminosity, allowing lighter and darker details to be displayed more clearty，it is better to reflect the visual effects in the real environment. Built-in HLG1, HLG2, HLG3 three types.
There are many kinds of ratio marker, especially the vertical screen marker 9:16. Perfect for vertical screen platform such as Tik tok, instagram.
Every FW568 V3 monitor will ship with a cold shoe mounted Tilt Arm. Shooters will have a secure way to position their monitor while maintaining a low profile.
• Allows the FW568 V3 monitor to rotate 360 degrees for viewing convenience
• Secure and lightweight mounting via shoe mount or 1/4"-20 thread
• Includes a shoe mount of its own for accessories like a microphone, LED light, or wireless receiver, etc.
To convenient the various angles monitoring
FEELWORLD FW568 V3 features standard 1/4" mount points (bottom, right) for attaching it to cameras and rigs. The external 1/4 screw design is used to make the monitor lighter and thinner.
The 1/4 screw can remove mounted to the bottom or right side.
Not only you can install it on a handheld stabilizer, but also you can mount it securely attach it to the top of your camera as the ultimate HD viewfinder! If you install it on the bottom of the device, you can also combine the image flip function to maintain the correct orientation of the screen! FW568 V3 equipped with one 1/4 screw, if you also want to fast install at gimbal, you can buy one more 1/4 screw.
The FW568 V3 monitor is equipped with a sunshade, which allows the photographer to focus more on the video and avoid the interference of strong light, providing a better visual experience. Moreover, the FW568 V3 monitor and the sunshade fixing frame are integrated, so you can directly attach the sun visor to the monitor through the attached velcro. The installation process is simple and fast, which is very suitable for outdoor shooting.
• All in one install sunshade frame • Save time by installing and disassembling
1. High Resolution: Full HD 1920x1080
2. High Contrast: 1000:1
3. High Brightness: 450cd/m²
4. 160° wide viewing angles IPS Panel
5. Provides auxiliary power out; allowing shooters to power their cameras
6. Custom 3D LUT import (up to 32)
7. All waves
8. Waveform (RGB, Y, YUV)
9. Histogram (RGB1, Y, RGB2)
10. Peaking Focus Assist (Red,Green,Blue three colors optional highlight over parts of the image in focus)
11. False Colors(Normal, ARRI)
12. Embedded Audio
13. Over Exposure
14. Grid (2x2,3x3,4x4,5x5,6x6,7x7,8x8,9x9, Custom)
15. Scan Mode (Under Scan, Over Scan)
16. Zoom Mode(2x,4x,9x,16x, User)
17. Anamorphic Mode (1.3x,1.6x, 2.0x, 2.0x mag, User-defined adjustment: 1.20X~2.00X)
18. Pixel to Pixel
19. Center Marker
20. Safe Area (80%,85%,90%,93%,96%,2.35:1,9:16)
21. Ratio marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1,9:16)
22. Marker Color (Red,Green,Blue,White,Black）
23. Check Field (Red/Green/Blue/Mono)
24. Image Flip (H, V, H/V)
25. Image Freeze
26. Pixel to Pixel
27.HDR (HLG1, HLG2, HLG3)
28. Display Adjustment (Backlight, Brightness, Contrast,Saturation ,Tin 0~100)
29. Display Range (Auto, Limit, Full)
30. Color Temperature Adjustment (5600K, 6500K, 9300K, User)
31. Left Right Key Set (Volume, Backlight)
32. User Switch (1~4)
33. EDID Settings (2.0, 1.4)
34. Power Settings (Auto, Manual)
This essential feature assists with the calibration of professional video cameras. It shows the overall brightness of the image assisting the video professional in correcting exposure. The waveform feature also checks the evenness of the lighting when lighting a chromakey or background.
Vector scope shows how saturated the image is and where the pixels in the image land on the color spectrum. It can also be displayed in various sizes & positions, that allows users to monitor color gamut range in real time.
The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis and a stack of the number of pixels at each level of brightness along the vertical axis.
RGB histogram is a graphical display of the distribution of tones, shows the Red, Green and Blue channels histograms. Suitable for HD-SDI and HDMI signal monitoring.
Embedded Audio Monitoring
The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. The audio meter is green, and will turn yellow when exceeds -20dB, and turn red when exceeds -9dB.
Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the putline color between red, green, blue according to different tone of the subject.
False Color
The False Color filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
Exposure (zebras)
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. 10-100IRE adjustable.
Check Field
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (2X, 4X, 9X, 16X,User)
Image magnification is HD signal in any part, an amplification for high quality close-up.
Anamorphic Mode (1.33x,1.6x 2.0x, 2.0x mag, User)
You can choose 1.3x, 2.0x, 2.0x mag, User-defined adjustment: 1.20x~2.00x. Built-in selection of no squeeze, 1.3×,1.6x or 2.0× allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0× mag mode, magnifies the center of your image so you can check the focus of your scaled image.
Image Flip
The Horizontal,Vertical and Hor&Ver of the image around flip.
Grid
Grid is the most common and basic composition method. The area of the picture can be choose divided into 4 ,9, 16, 25, 36, 49,64,81equal grids. You can switch the Mark color between Red, Green, Blue, White, Black,Gray according to different tone of the subject.
Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safety Marker
Safety Marker for View Finding and Composition (80%, 85%, 90%, 93%, 96%, 2.35:1,9:16). You can switch the Mark color between Red, Green, Blue, Black, White, Gray according to different tone of the subject.
Ratio Marker
There are a variety of ratio marker (4:3, 13:9, 14:9, 15:9, 16:9, 1.85:1, 2.35:1,9:16). You can switch the marker colors between Red, Green, Blue, Black, White, Gray according to different tone of the subject.
| Model | FW568 V3 |
| Screen Size | 6" IPS |
| Resolution | 1920x1080 pixels |
| Pixel Pitch | 0.069 (H) × 0.069 (V) mm |
| Aspect Ratio | 16:9 |
| Brightness | 450cd/m² |
| Contrast Ratio | 1000:1 |
| Backlight | LED |
| Viewing Angle | 80°/80°(L/R) 80°/80°(U/D) |
| 1 X HDMI | HDMI |
| 1 X Type-C | 5V Type-C (Note: please use 5V/2A or more than 2A Type-C power supply) |
| 1 X HDMI | HDMI |
| 1 X DC Output | DC Output |
| Audio | Stereo Headphone |
| 480i/576i/480p/576p |
| 1080i (60/59.94/50) |
| 720p (60/59.94/50/30/29/25/24/23.98) |
| 1080p (60/59.94/50/30/29.97/25/24/24sF/23.98/ 23.98sF) |
| 3840×2160p (60/50/30/29.97/25/24/23.98) |
|
4096×2160p (60/50/30/29.97/25/24/23.98)
|
| Input Voltage | DC7～24V |
| Power Consumption | ≤8W |
| Power Connector | DC |
| Working Temperature | -20°C~55°C |
| Storage Temperature | -30°C~65°C |
| Install Way | ¼-20 thread points |
| Unit Size | 151Lx92Hx29.5D (mm) |
| Unit Weight | 190g |
| Color Box Size | 186L*124W*80H(mm) |
| Outer Carton Qty | 10 |
| Outer Carton Size | 465*200*326 (mm) |
| Gross Weight | 6.65kgs |
1× Micro HDMI Cable
1× Sunshade
1× Tilt Arm
1× Type-C to USB
1× Manual
