| Number: | 202012301029162088 |
|---|---|
| Model: | FT6 FR6 |
| Size: | 5.5" IPS |
| Introduction: |
Screen Size： 5.5" Touch Screen Resolution： 1920x1080 pixels Transmission: 800ft System Latency:70ms Aspect ratio： 16:9 Brightness： 500cd/m² |
| Input: | HDMI |
| Output: | HDMI, Stereo Headphone, DC OUT 8V, Barrel (5.5mm outer, 2.1mm inner; Power DSLR or mirrorless camera) |
| DM: | |
| Download: | |
All-in-one director’s monitor solution
Combining a wireless video transmission and high-quality HD monitor, the FEELWORLD FT6, FR6 wireless monitor to create ultra light, cable-free monitoring kit that gives you complete mobility on set. Using 2*2dBi antenna technology and H.264 encoding and decoding technology for professional image processing, clearer image and lower latency. The FR6 can receive uncompressed HD wireless signals from FT6 transmitter.
Ideal for mobile shooting
Although built-in wireless image transmission, the FT6 and FR6 maintain a slim shape. 5.5 inches small size and only 370g weight, which is the ideal for on-site mobile shooting.
800FT reliable wireless transmission with only 0.07s latency, can satisfy the requirements of more professional live streaming and monitoring.
Support 1080P60, 1080P50, 1080i60, 1080i50, etc. common video formats, can easily handle whether it is for directors, photographers monitoring, or live video transmission.
Bring you more stable pictures
There are 11 signal channels for selection for the wireless monitor. You can choose the best channel freely. When you don’t need the transmission function, you can long press the power icon to turn off. Plus, there is WPS pairing function. When you need to replace the transmitter or receiver, please long press WPS of both the transmitter (TX) and receiver (RX) about 1 second to enter the pairing mode, and wait for the pairing to success.
Better viewing and capture every Detail
The 5.5" IPS screen features a 1920 x 1080 resolution, packing 400 pixels per inch and provides a wide viewing angle of 160°and for easier off-axis position monitoring. Built-in 3D LUT color calibration, which complies with the standard of REC-709, can calibrate each monitors so that it can eliminate the trouble of color cast.
Make your filming more efficiency
The built-in monitor is also an interactive touchscreen that makes setting up the FT6, FR6 incredibly intuitive. All of the functions are at your fingertips, allowing you to use simple tap and swipe gestures to change function settings. You can use two-finger zoom gesture to easily and intuitively zoom in and out of the shooting screen. Plus, they also support physical buttons control. Tap/Rotate the wheel button for quick selection and function settings. Tap the power switch to turn off the touch function, designed to prevent misuse.
Long press to turn on and off the power; short press to turn on and off the screen touch function.
1. When the monitor and touch are both on, continuously click the screen twice to enter the main menu.
2. Swipe up from the bottom of the screen to open the shortcut menu and click on the corresponding menu to open or set the corresponding function. Double-click the shortcut menu function and select the function setting with the "<" or ">" key.
3. On the left side of the screen (1/2 split screen), you can directly adjust the brightness of the screen backlight; on the right side of the screen (1/2 split screen), you can directly adjust the volume.
4. Swipe from the right side of the sceen to left to open the channel display. There are 11 channels for selection.
5. Click any space beside menu to exit the menu.
Accurately exposure and focus every shot
Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (waveform, RGB parade, vectorscope, RGB histogram, histogram, audio meter, focus peaking, zoom, zebra, false color, frame guides, safe area, etc.) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 video or upload .cube files), HDR monitoring and options for anamorphic de-squeeze monitoring.
Support 50 LUTs
Some cameras can output logarithmic colors pace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look like when editing. You could use 4 built-in LOG to Rec.709 video or upload .cube files ( A single file must not exceed 7.9M, supports files with LUT_3D_SIZE of 16, 17, 32, 33, 64, 65.). FT6, FR6 allows you to load internally up to custom LUTs (Up to 50 user files can be imported), looks or profiles at any time via the TYPE-C interface to USB . Slot and instantly select between them, maintaining creative intent, always.
For incredible clarity and detail
FT6, FR6 have built-in HLG 2020, HLG 709, HLG P3 HDR 3D LUT, and Rec709 De-slog3 LUTs, includes SLOG2, SLOG3, LOGC, VLOG. The monitor can display an HDR (high dynamic range) signal for incredible clarity and detail, simplify the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most–while shooting.
Both FR6, FR6 with HDMI input and output signal interfaces, allowing it to not only display live signals, but also send them out to other monitors simultaneously. It's the ability to display live picture on multiple displays at once while still maintaining the original video quality. Plus, you can monitor audio using the 3.5mm stereo headphone jack.
The FT6, FR6 provide auxiliary power out (DC OUT 8V), allowing shooters to power their cameras. With a battery adapter cable (Optional), extend camera run-time, while providing a more usable display.
Barrel output for powering your camera with a separately available DC coupler via adaptor (NP-FW50 Sony & LP-E6 Canon & DMW-BLF19 Panasonic). More adapters coming soon.
Note: since different brands and models of cameras require different power for normal operation, the camera may not be able to take pictures or video normally. Therefore, when using batteries to power the monitor, in order to use the camera normally, it is recommended to use a large-capacity fully charged battery.
FR6 receives the video from FT6 can be output to other monitors (same screen display) through HDMI OUT, convenient for the director and photographer to monitor at the same time.
Support dual F970 batteries power supply
In addition to the 12V universal power supply (can be using 12V/1.5A adapter); FT6, FR6 also have dual battery slots in the back. You get 2 rear battery slots for installing Sony L Series batteries, so you have enough power for the screens. Plus with 2 battery slots, you can change batteries without interrupting monitoring, just need to double-tap the battery icon on the upper right corner of the monitor, after about 3 seconds switch to the other battery. The monitor install one F970 battery (6600mah) last for about 2 hours, and install two F970 batteries last for about 4-5 hours. You can choose install 1 or 2 battery base on your need.
Compatible Battery: Sony F970, F960, F950,F930, F770, F750, F730, F570, F550, F530 series. (Note: the battery not including, please purchase separately)
When the battery/batteries is/are placed in the battery slot(s), battery icon will appear on the upper right of the screen. White icon indicates the working battery, gray icon indicates not working battery. Double-tap the gray battery icon and it will be switched to a working state in about 3 seconds, then it will be turned white. There will be a red prompt when the battery is almost dead, please replace the battery in time.
Avoid the interference of outdoor strong light
The FT6, FR6 wireless monitor is equipped with a sunshade, which allows the photographer to focus more on the video and avoid the interference of strong light, providing a better visual experience. The installation process is simple and fast, which is very suitable for outdoor shooting.
800FT transmission range with 70ms ultra-low latency and other advance features make FT6, FR6 suitable for film crew shooting. Ideal for the director and the photographer.
Easier and more convenient to focus follow
The receiver FR6 with an innovative design wooden handle, which makes the monitor easier to hold and make director and camera assistants more convenient to focus follow, the screen more stable.
Freedom Your Hands and Prevent Falling
The FR6 receiver also has an exquisite lanyard, which allows you to free your hands while preventing the monitor falling. Move flexibly on site and improve efficiency.
Convenient to Move Anywhere and Anytime
The FT6 FR6 wireless monitor kit is equipped with a portable small carrying case, which is convenient for you to move anytime and anywhere and can better protect the monitor.
* Up to 250m/800ft transmission range (LOS)
* Ultra-low latency: 70ms
* Up to 1080P60Hz
* Support 11 channels selection
* Support frequency modulation on either the wireless monitor TX or RX.
* Support the opening and closing function of the wireless transmission module, which can be used as a monitor alone or as an integrated wireless monitor
* 5.5 inches 1920x1080 full HD IPS screen, touch screen menu operation
* Support 3D LUT Log to REC.709 and user 3D LUT upload
* Support HDR monitoring
* All Waves display, Parada, Vector, Histogram, Focus assist, False color and other functions, help you accurately expose and focus.
* Stereo Earphone output
* DC 8V power out to power your DSLR camera or mirrorless camera
* External sunshade, sunlight readable
User LUT Cube Import
FT6 FR6 provide S-log2/3, V-log, Log-C etc, to convert log mode to REC709 for all major cameras. The LUT loading function makes the color calibration work of the previous shooting easier and more intuitive, optimizes the workflow and improves work efficiency. User creative 3D LUT cube or calibration 3D LUT cube can be uploaded to FT6 FR6 by TYPE-C to USB.
Waveform / Vector scope / Histogram
This essential feature assists with the calibration of professional video cameras. It shows the overall brightness of the image assisting the video professional in correcting exposure. The waveform feature also checks the evenness of the lighting when lighting a chromakey or background.
Vector scope shows how saturated the image is and where the pixels in the image land on the color spectrum. It can also be displayed in various sizes & positions, that allows users to monitor color gamut range in real time.
The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.
This mode shrinks your video image to approximately the size of a 5.5" display and tiles your choice of waveform, vectorscope, histogram, and embedded audio on the border of your video.
Audio Meter Monitoring
The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. Below -18dB column shows green; -18dB~-08dB column shows yellow; above -08dB shows red.
Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the peaking color between yellow, red, green, blue, white according to different tone of the subject. The focus level can be adjusted from 1 to 10 levels.
False Color
The False Color filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
Exposure (zebras)
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. There is a 1%-100% zebra value that can be adjusted.
Check Field
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or gray pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (100%～300%)
Image magnification is HD signal in any part, an amplification for high quality close-up. The touch panel can help you zoom in quickly, zoom out and move the image after zooming in.
Anamorphic Mode
Built-in selection of no squeeze, 1.25x, 1.33x, 1.5x, 2.0x or 2.0x mag allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera.
Image Flip
Image flip is to flip the image horizontally, vertically, and horizontally/vertically. Simultaneously turning on the horizontally flip and the vertical flip can achieve horizontal/vertical simultaneous flipping.
Auto Mirror
After auto-mirror is turned on, rotate the monitor vertically, and the picture will be adjusted upside down automatically.
Nine Grid
Nine grid is the most common and basic composition method. The area of the picture is divided into nine equal grids.
Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safety Marker
Safety Marker for View Finding and Composition (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1). You can switch the Mark color between Yellow, Red, Green, Blue, White and Black according to different tone of the subject.
Ratio Marker
There are a variety of ratio marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1); the transparency of the ratio marker has 4 display effects optional (0%, 25%, 50%, 75%). You can switch the marker colors between yellow, red, green, blue, white and black according to different tone of the subject.
| Model | FT6 FR6 |
| Screen Size | 5.5" Touch Screen |
| Resolution | 1920x1080 pixels |
| Pixel Pitch | 0.0639 (H) x 0.0213 (W) mm |
| Aspect Ratio | 16:9 |
| Brightness | 500cd/m² |
| Contrast Ratio | 1000:1 |
| Backlight | LED |
| Viewing Angle | 80°/80°(L/R) 80°/80°(U/D) |
| Frequency | 5.1～5.9(GHz) |
| System Latency | 70ms |
| Video Compression Format | H.264 |
| Transmission | 250m |
| Antenna Mode | 2dBi x 2 |
| 1 X HDMI | HDMI |
| Power Input | DC IN 12V |
| 1 X HDMI | HDMI |
| 1 X DC OUT | DC OUT 8V |
| Audio | 3.5mm Stereo Headphone |
| Video Compression Format | PCM |
| Wireless Transmission Turn on |
| 480P,576I,576P |
| 720P60/59.94/50 |
| 1080I50/59.94/60 |
| 1080p23.98/24/25/29.97/30/50/59.97/60 |
| Wireless Transmission Turn off |
| 480P,576I,576P |
| 720P60/59.94/50 |
| 1080I50/59.94/60 |
| 1080p23.98/24/25/29.97/30/50/59.97/60 |
| 4K UHD 3840×2160p (30/29.97/25/24/23.98Hz) |
| DCI 4K 4096×2160p (24Hz) |
| Input Voltage | DC7～24V |
| Power Consumption | ≤18W |
| Power Connector | DC |
| Working Temperature | -20°C~55°C |
| Storage Temperature | -30°C~65°C |
| Install Way | one ¼-20 thread point at the bottom |
| Unit Size | 148Lx103.5Hx41W (mm) |
| Unit Weight | 370g |
| Color Box Size | 230L*170W*90H(mm) |
| Outer Carton Qty | 10 |
| Outer Carton Size | 520*265*430 (mm) |
| Gross Weight | 16.7kgs |
| * Support 3D LUT Log to Rec.709, user 3D LUT Upload |
| * Support Touch Menu |
| * All Waves |
| * Parade (RGB, YUV, Y) |
| * Vector |
| * Brightness Histogram |
| * Peaking Focus Assist (red, green,blue, white, yellow five peaking colors optional; 1~10 peaking level adjustable) |
| * False Colors |
| * Zebra Exposure (1%~100% adjustable) |
| * Check Field (red, green, blue, gray) |
| * Scan Mode (Under Scan, Over Scan) |
| * Anamorphic Mode (1.25x, 1.33x, 1.5x, 2.0x, 2.0x mag) |
| * *Flip H/ Flip V (All open, H/V flip) |
| * Image Freeze |
| * Nine Grid |
| * Center Marker |
| * Safety Marker (70%, 80%, 90%, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1) |
| * Marker Color (red, green, blue, white, black, yellow) |
| * Ratio Marker (16:9, 16:10, 4:3, 1.85:1, 2.35:1) |
| * Color Temperature Adjustment |
| * Zoom (100%~300%) |
| * Aspect Ratio |
| * Pixel to Pixel |
1× Micro HDMI Cable
2× Sunshade
1× Hot Shoe
4× Transmission Antenna
1× Type-C to USB
1× Handle
2× Screw
1× Lanyard
1× 1/4 C-ring Screw
1× Small Carrying Case
1× Manual
