| Number: | 202206051330316066 |
|---|---|
| Model: | F6 PLUS V2 |
| Size: | 6" IPS |
| Introduction: |
Screen Size： 6" Touch Screen
Resolution： 1920x1080 pixels Aspect ratio： 16:9 Brightness： 450cd/m² |
| Input: | 4K HDMI, SD Slot, Type-C |
| Output: | 4K HDMI, Stereo Headphone, DC OUT 8V, Barrel (5.5mm outer, 2.1mm inner; Power DSLR or mirrorless camera) |
| DM: | |
| Download: | |
The F6 PLUS is 6 inch and only 235g, and makes it the ideal size and weight for field production. The entire monitor’s build is sturdy and compact, allowing you to easily mount it to your DSLR camera or even a gimbal stabilizer. It gives you the freedom to shoot well anywhere.
The 6" IPS screen features a 1920 x 1080 resolution, packing 367 pixels per inch and provides a wide viewing angle of 160° and for easier off-axis position monitoring. Built-in 3D LUT color calibration, which complies with the standard of REC-709, can calibrate each monitors so that it can eliminate the trouble of color cast.
OCR Full-fit Screen Design
The monitor uses OCR full-fit technology and high-strength, scratch-resistant, impact-resistant glass.
Use simple tap and swipe gestures to make adjustments!
The built-in monitor is also an interactive touchscreen that makes setting up the F6 PLUS V2 incredibly intuitive. All of the functions are at your fingertips, allowing you to use simple tap and swipe gestures to change function settings. You can easily and intuitively zoom in and out of your shot with the pinch-to-zoom gesture.
●You can also get a quick glance at your menu settings and features with an easy tap on the screen.
●It also supports physical buttons control. Tap/Rotate the wheel button for quick selection and function settings.
●Tap the power switch to turn off the touch function, designed to prevent misuse.
The F6 PLUS V2 has 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. It's the ability to display live picture on multiple displays at once while still maintaining the original video quality. Plus, you can monitor audio using the 3.5mm stereo headphone jack.
Transmission to film crew director monitoring at the same time. Without the cable more flexible to transition between scenes effortlessly for outdoor shooting.
Display live picture on multiple displays simultaneously.
At the concert, live broadcast, conference, you can connect to project display real-time images.
The F6 PLUS V2 is an ideal camera-top monitor for DSLR and mirrorless camera shooters. Because the F6 PLUS V2 provides auxiliary power out; allowing shooters to power their cameras. With a battery adapter cable (Optional), the F6 PLUS extends camera run-time, while providing a more usable display.
In addition to the power supply through the battery plates and 12V DC power input(can be using 12V/1.5A adapter), it also supports 5V Type-C input, which can be powered by mobile phone charger or power bank. (At least 5V/2A)
Note: The 5V Type-C port is only used for power supply, not for data transmission, and cannot provide loop-out power.
Compatibility with Sony F970 and Canon LP-E6 of lithium batteries for one battery plate. Providing long-time working condition for cameraman in shooting applications.
The F6 PLUS V2 keeps the original great: it's small, lightweight and has great image quality. In addition, it now features the touch screen and has the ability to import 3D LUTs via the SD card. The F6 PLUS V2 is the perfect monitor for those who need an easy-to-use lightweight on-camera monitor such as gimbal operators, or shooters that are always on the go.Its touchscreen conveniently allows you to zoom your image with a pinch gesture and tap to access the menu settings. There are also a variety of onscreen tools to help you set up your shots, including parade (RGB, YUV, Y), vector, histogram, peaking, embedded audio, exposure, false color, nine grid, auto mirror, zoom, guides, pixel-to-pixel, anamorphic mode, image freeze and more.
Convenient to compare the composition and correct displacement during the shooting
F6 PLUS V2 supports screenshot and stored via SD card, you can capture any image, then compared with real-time video by semi-transparent image superposition. It is convenient for photographers to compare the composition and correct the displacement during the shooting. In addition, you can also import custom image (must be JPG image andthe resolution not exceeding 1920x1080).
Note: 1. The number of screenshots stored depends on the capacity of the SD card.
2. After insert SD card and input signal, swipe left on the right side of the screen to access the screenshot function menu.
User LUT cube import （Up to 32)）
F6 PLUS provides S-log2/3, V-log, Log-C etc, to convert log mode to REC709 for all major cameras. The LUT loading function makes the color calibration work of the previous shooting easier and more intuitive, optimizes the workflow and improves work efficiency. User creative 3D LUT cube or calibration 3D LUT cube can be uploaded to F6 PLUS by SD card.
What you see is what you get
F6 PLUS V2 has built-in HLG1, HLG2, HLG3 three HDR types. The monitor can display a high dynamic range signal for incredible clarity and detail, simplify the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most–while shooting.
Save your budget
When you need to analyze image quality more accurately than simply looking at the picture then use F6 PLUS V2's built in waveform monitoring! Choose from waveform (RGB Parade, Y Parade), vectorscope, histogram and audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. The functions can be opened separately, and also support one key to open all scope mode. F6 PLUS V2 is perfect for live production monitoring and removes the need for separate expensive scopes!
The monitor will ship with a cold shoe mounted Tilt Arm. Shooters will have a secure way to position their monitor while maintaining a low profile.
• Allows F6 PLUS V2 to rotate 360 degrees for viewing convenience
• Secure and lightweight mounting via shoe mount or 1/4"-20 thread
• Includes a shoe mount of its own for accessories like a microphone, LED light, or wireless receiver, etc.
• There are two small dots on the tilt arm, which are aligned with the monitor for installation, the connection is more stable, just grab the monitor to rotate without loosening the screws.
To convenient the various angles monitoring
F6 PLUS V2 features standard 1/4" mount points (top, bottom, right) for attaching it to cameras and rigs. Not only you can install it on a monitor through tilt arm, but also you can mount it on a handheld stabilizer or securely attach it to the top of your camera as the ultimate HD viewfinder! If you install it on the bottom of the device, you can also combine the image flip function to maintain the correct orientation of the screen!
The F6 PLUS V2 monitor is equipped with a sunshade, which allows the photographer to focus more on the video and avoid the interference of strong light, providing a better visual experience. The installation process is simple and fast, which is very suitable for outdoor shooting.
* Support 3D LUT Log to Rec.709, user 3D LUT Upload
* Support Touch Menu
* High Resolution: Full HD 1920x1080, High Contrast: 1000:1
* 160° wide viewing angles IPS Panel
* Provides auxiliary power out; allowing shooters to power their cameras
* Support HDR monitoring
* Parade (RGB, YUV, Y)
* Vector Scope
* Histogram (RGB1、RGB2、Y)
* Support screenshot, image overlay
* Peaking Focus Assist (red, green,blue three peaking colors optional; 1~10 peaking level adjustable)
* Embedded Audio
* Zebra Pattern(10%~100% adjustable)
* Check Field (red, green, blue, mono)
* False Colors (Normal, ARRI)
* Grid (2x2,3x3,4x4,5x5,6x6,7x7,8x8,9x9, Custom)
* Safety Marker (80%, 85%, 90%, 93%, 96%, 2.35:1, 9:16)
* Center Marker
* Ratio Marker ( 4:3, 13:9, 14:9, 15:9, 16:9, 1.85:1, 2.35:1, 9:16, 1:1)
* Marker Color (Red, Green, Blue, Black, White, Gray)
* Scan Mode (Under Scan, Over Scan)
* Aspect Ratio (Auto, 16:9, 16:10, 4:3, 5:4, 1.85:1, 2.35:1, Full Screen)
* Anamorphic Mode (1.33X, 1.6X, 2.0X, 2.0X MAG, User)
* Image Flip (Auto, Manual; Under Manual with H, V, H/V mode)
* Zoom Mode (2X, 4X, 9X, 16X, User)
* Image Freeze
* Pixel to Pixel
* Display Adjustment (Backlight, Brightness, Contrast, Saturation, Tint 0~100)
* Display Range (Auto, Limit, Full)
* Color Temperature Adjustment (5600K, 6500K, 9300K, User) * Left Right Key Set (Volume, Backlight)
* User Switch (1~4)
* EDID Settings (2.0, 1.4)
* Power Settings (Auto, Manual)
Waveform / Vector scope / Histogram
This essential feature assists with the calibration of professional video cameras. It shows the overall brightness of the image assisting the video professional in correcting exposure. The waveform feature also checks the evenness of the lighting when lighting a chromakey or background.
Vector scope shows how saturated the image is and where the pixels in the image land on the color spectrum. It can also be displayed in various sizes & positions, that allows users to monitor color gamut range in real time.
The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.
Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the peaking color between yellow, red, green, blue, white according to different tone of the subject. The focus level can be adjusted from 1 to 10 levels.
False Color
The False Color filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
Exposure (zebras)
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. There is a 1%-100% zebra value that can be adjusted.
Check Field
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or gray pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (2X, 4X, 9X, 16X,User)
Image magnification is HD signal in any part, an amplification for high quality close-up.
Anamorphic Mode (1.33x,1.6x 2.0x, 2.0x mag, User)
You can choose 1.3x, 2.0x, 2.0x mag, User-defined adjustment: 1.20x~2.00x. Built-in selection of no squeeze, 1.3×,1.6x or 2.0× allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0× mag mode, magnifies the center of your image so you can check the focus of your scaled image.
Image Flip
Image flip is to flip the image horizontally, vertically, and horizontally/vertically. Simultaneously turning on the horizontally flip and the vertical flip can achieve horizontal/vertical simultaneous flipping.
Auto Mirror
After auto-mirror is turned on, rotate the monitor vertically, and the picture will be adjusted upside down automatically.
Grid
Grid is the most common and basic composition method. The area of the picture can be choose divided into 4 ,9, 16, 25, 36, 49,64,81equal grids. You can switch the Mark color between Red, Green, Blue, White, Black,Gray according to different tone of the subject.
Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safety Marker
Safety Marker for View Finding and Composition (80%, 85%, 90%, 93%, 96%, 2.35:1,9:16). You can switch the Mark color between Red, Green, Blue, Black, White, Gray according to different tone of the subject.
Ratio Marker
There are a variety of ratio marker (4:3, 13:9, 14:9, 15:9, 16:9, 1.85:1, 2.35:1,9:16). You can switch the marker colors between Red, Green, Blue, Black, White, Gray according to different tone of the subject.
| Model | F6 PLUS V2 |
| Screen Size | 6" Touch Screen |
| Resolution | 1920x1080 pixels |
| Pixel Pitch | 0.069 (H) × 0.069 (V) mm |
| Aspect Ratio | 16:9 |
| Brightness | 450cd/m² |
| Contrast Ratio | 1000:1 |
| Backlight | LED |
| Viewing Angle | 80°/80°(L/R) 80°/80°(U/D) |
| 1 X HDMI | HDMI |
| 1 X Type-C | Type-C |
| 1 X HDMI | HDMI |
| 1 X DC Output | DC Output |
| Audio | 3.5mm Stereo Headphone |
| 480i/576i/480p/576p |
| 1080i (60/59.94/50) |
| 720p (60/59.94/50/30/29/25/24/23.98) |
| 1080p (60/59.94/50/30/29.97/25/24/24sF/23.98/ 23.98sF) |
| 3840×2160p (60/50/30/29.97/25/24/23.98) |
| 4096×2160p (60/50/30/29.97/25/24/23.98) |
| Input Voltage | DC7～24V |
| Power Consumption | ≤8W |
| Power Connector | DC |
| Working Temperature | -20°C~55°C |
| Storage Temperature | -30°C~65°C |
| Install Way | ¼-20 thread points (top, bottom, right) |
| Unit Size | 148Lx93Hx20D (mm) |
| Unit Weight | 235g |
| Color Box Size | 186L*124W*80H(mm) |
| Outer Carton Qty | 10 |
| Outer Carton Size | 465*200*326 (mm) |
| Gross Weight | 7.2kgs |
1× Micro HDMI Cable
1× Sunshade
1× Tilt Arm
1× Manual
