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FEELWORLD FW278S 7 Inch 1200nit Daylight Viewable Camera Field Monitor 3G-SDI 4K HDMI Input Output 1920X1200 IPS Panel
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The intuitive interface of FW278S boasts a set of professional image analysis tools, including histogram, focus assist, embedded audio, false colors, zebra exposure, ratio marker, anamorphic mode, zoom, etc.
The FW278S equips filmmakers with the benefits of a large on-camera display without making the camera set up feel cumbersome. FEELWORLD FW278S is packed with high end monitoring features in a small, lightweight package that can be connected to virtually any camera. The front features a large high resolution, daylight viewable LCD, there are video connections on the bottom, and space for two NP-F batteries on the back. The outer frame features standard ¼" mount points on the bottom, left, right and middle back for attaching it to cameras and rigs. This design detail makes the FW278S easy to attach to a camera and easy to share with a team member or client on set.
The FW278S enables clear and precise field monitoring and image analysis during daytime shoots. It displays your stills and monitoring content at superior color fidelity and 1920 x 1200 maximum resolution on a 7-inch display. The panel is made of optically bonded glass with an anti-reflective coating, which allows comfortable daytime field monitoring. But what really sets it apart is its light-emitting diode (LED) backlighting, which outputs a brightness of 1200 nits and displays a 1200:1 contrast ratio and sRGB / Rec.709 Color Gamut, resulting in exceptional screen clarity even in intense lighting conditions. With the monitor displaying your content at 323 pixels per inch (PPI), you can shoot in broad daylight with confidence and refine your content on the spot. The wide 160º viewing angle makes it easy for multiple members of the crew to watch it at the same time.
Shooting in extremely bright conditions can be a challenge. Some photographers would avoid full sun and wait it out until the sun provides the right lighting. But with the FW278S, you can continue shooting during the golden hour with full control of your output. Unlike conventional monitors, the FW278S offers exceptional daytime viewing without the need for a sun hood. There are two cutting-edge technologies that make this possible. One is the LED backlighting that generates 1200 nits of brightness and the other is the anti-glare LCD screen with a 1200:1 contrast ratio. The monitor lets you determine the proper settings to use and record the most color information possible, you'll always end up with crisp and vivid results.
And FW278S has an ambient light sensor that detects ambient light levels and automatically adjusts the screen brightness. It ensures that the screen is readable in different environments and always protects your eye. Increasing the screen brightness compensates for bright sunlight when used outdoors, while a dimmer screen is more comfortable on the eyes when viewing in the dark.
Use Rec.709 color standard
FEELWORLD uses the professional Rec.709 HD color standard, and uses the color calibration technology, with the professional instrument calibration at the factory, it can achieve monitor calibration efficiently and get accurate color reproduction easily, do not distort the color, show the real image when you shooting video.
FEELWORLD monitor support ITU standards and HD video Rec.709 standard consistent color space, advanced image processing technology, so that the image clearly presented, the color is extremely natural, to ensure accurate color reproduction, to reproduce the physical nature of shooting, enabling users to accurately evaluate the quality of various input video signals.
The menu controls are intuitive and easy to use. Two different feature buttons are programmable to the various features that you use the most. Maybe you could set one of the shortcut keys to the image flip function so that the screen can be flipped over quickly when shooting upside down.
With both 3G-SDI and 4K HDMI inputs you can connect it to any consumer camera, broadcast camera or even DSLR cameras. You also get loop thru outputs, so you can display live video or expand display on external screens or projectors with embedded audio. You can also monitor audio using the 3.5mm stereo headphone jack. For power, there’s a 12V DC input and two NP-F battery slots.
The FW278S has 3G-SDI, 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. It's the ability to display live picture on multiple displays at once while still maintaining the original video quality.
Transmission to film crew director monitoring at the same time. Without the cable more flexible to transition between scenes effortlessly for outdoor shooting.
Display live picture on multiple displays simultaneously.
The FW278S is an ideal camera-top monitor for DSLR and mirrorless camera shooters. Because the FW278S provides auxiliary power out; allowing shooters to power their cameras. With a battery adapter cable (Optional), the FW278S extends camera run-time, while providing a more usable display.
Every FW278S monitor will ship with a cold shoe mounted Tilt Arm. Shooters will have a secure way to position their monitor while maintaining a low profile.
• Allows the FW278S monitor to rotate 360 degrees for viewing convenience
• Secure and lightweight mounting via shoe mount or 1/4"-20 thread
• Includes a shoe mount of its own for accessories like a microphone, LED light, or wireless receiver, etc.
The standard sized mounting points make it easy to mount and are compatible with third party rigging equipment. There are 4 mounting points located on the bottom, left, right and middle back. Using the bottom 1⁄4 inch hole, you can securely attach it to the top of your camera as the ultimate viewfinder! The 1⁄4-inch holes on the left and right sides can be mounted on other equipment with magic arm, bracket, etc., for the entire crew to monitor the screen.
The new design also features upgraded batteries and supports two standard Sony L Series batteries. You get 2 rear battery slots for mounting Sony L Series batteries, so you have enough power for the brighter screens. Plus with 2 battery slots, you can change batteries without interrupting monitoring! A 12v universal power supply is included for studio or on location use.
● Compatible Sony Battery: F970 F960 F950 F930 F770 F750 F730 F570 F550 F530 QM91D QM91 QM90D QM90 QM71D QM71 QM70D QM70 QM51D QM51 FM71 FM70 series.
1. High Resolution: Full HD 1920x1200
2. High Contrast: 1200:1
3. Ultra Brightness: 1200cd/m² (auto light sensor)
4. 160°wide viewing angles IPS Panel
5. Ultra thin design 29mm thickness
6. Histogram
7. Peaking Focus Assist (Red,Green,Blue three colors optional highlight over parts of the image in focus)
8. False Colors
9. Zebra Exposure
10. Nine Grid
11. Embedded Audio
12. Scan Mode (Under Scan, Over Scan)
13. Zoom (4x,9x,16x)
14. Anamorphic Mode (1.3x, 2.0x, 2.0x mag, User-defined adjustment: 1.20X~2.00X)
15. Pixel to Pixel
16. Center Marker
17. Safe Area (80%,85%,90%,93%,96%,2.35:1)
18. Ratio marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1)
19. Marker Color (Red,Green,Blue,White,Black）
20. Check Field (Red/Green/Blue/Mono)
21. Image Flip (H, V, H/V)
22. Image Freeze
23. Zoom All (0~100 adjustable)
24. U/D & L/R Zoom (0~100 adjustable)
25. Color Temperature Adjustment
Brightness Histogram
The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.
Embedded Audio Monitoring
The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. The audio meter is green, and will turn yellow when exceeds -20dB, and turn red when exceeds -9dB.
Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the putline color between red, green, blue according to different tone of the subject.
False Color
The False Color filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
Exposure (zebras)
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. 1-100IRE adjustable.
Check Field
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (4X, 9X, 16X)
Image magnification is HD signal in any part, an amplification for high quality close-up.
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Anamorphic Mode (1.3x, 2.0x, 2.0x mag, User)
You can choose 1.3x, 2.0x, 2.0x mag, User-defined adjustment: 1.20x~2.00x. Built-in selection of no squeeze, 1.3× or 2.0× allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0× mag mode, magnifies the center of your image so you can check the focus of your scaled image.
Image Flip
The Horizontal,Vertical and Hor&Ver of the image around flip.
Nine Grid
Nine Grid Zoom: Zoom one of the images to realize the full screen. You can switch the Mark color between Red, Green, Blue, White, Black according to different tone of the subject.
Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.
Center Marker & Safe Marker
Safe Mark for View Finding and Composition (80%, 85%, 90%, 93%, 96%, 2.35:1). You can switch the Mark color between Red, Green, Blue, White and Black according to different tone of the subject.
Ratio Marker
(4:3, 13:9, 14:9, 15:9, 16:9, 1.85:1, 2.35:1). Frame blanking zone includes 6 Levels, from 0-6 (Transparent to Black). You can switch the Mark color between red, green, blue, white and black according to different tone of the subject.
| Model | FW278S |
| Screen Size | 7" IPS |
| Resolution | 1920x1200 pixels |
| Pixel Pitch | 0.07875 (H) x 0.07875 (W) (mm) |
| Aspect Ratio | 16:10 |
| Brightness | 1200cd/m² (Auto Light Sensor) |
| Contrast Ratio | 1200:1 |
| Backlight | LED |
| Viewing Angle | 80°/80°(L/R) 80°/80°(U/D) |
| 1 X BNC | 3G-SDI |
| 1 X HDMI | HDMI |
| 1 X BNC | 3G-SDI |
| 1 X HDMI | HDMI |
| Audio | 3.5mm Stereo Headphone |
| 480i/576i |
| 720p(60/59.94/50/30/29.97/25/24/23.98) |
| 1080i(60/59.94/50) |
| 1080p(60/59.94/50/30/29.97/25/24/24sF/23.98/23.98sF) |
| 480i/576i/480p/576p |
| 1080i (60/59.94/50) |
| 720p (60/59.94/50/30/29/25/24/23.98) |
| 1080p (60/59.94/50/30/29.97/25/24/24sF/23.98/ 23.98sF) |
|
4K UHD 3840×2160p (30/29.97/25/24/23.98Hz), 4096×2160p (24Hz)
|
| Input Voltage | DC7～24V |
| Power Consumption | ≤13W |
| Working Temperature | -20°C~50°C |
| Storage Temperature | -30°C~60°C |
| Install Way | 1/4"-20 Thread Socket (left, right, bottom) |
| Unit Size | 190Lx126Hx29D (mm) |
| Unit Weight | 403g |
| Color Box Size | 222L*158W*76H(mm) |
| Outer Carton Qty | 10 |
| Outer Carton Size | 450*234*385 (mm) |
| Gross Weight |
| * Brightness Histogram |
| * Embedded Audio |
| * Peaking Focus Assist (Red, Green, Blue three colors optional highlight over parts of the image in focus) |
| * False Colors |
| * Zebra Exposure (1-100IRE adjustable) |
| * Check Field (Red, Green, Blue, Mono) |
| * Scan Mode (Under Scan, Over Scan) |
| * Anamorphic Mode (1.3x, 2.0x, 2.0x mag) |
| * Image Flip (H, V, H/V) |
| * Image Freeze |
| * Center Marker |
| * Screen Marker (80%,85%,90%,93%,96%, 2.35:1) |
| * Ratio marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1) |
| * Color Temperature Adjustment |
| * Nine Grid (Nine Grid Zoom: zoom one of the images to realize the full screen) |
| * Zoom (4X, 9X, 16X) |
| * Aspect Ratio |
| * Pixel to Pixel |
| * Zoom All |
| * U/D Zoom |
| * L/R Zoom |
1× Mini/ Micro HDMI to HDMI Cable
1× Tilt Arm
1× Manual
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